Makers 2016
Dec
10
to Jan 27

Makers 2016

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Makers 2016

Alyn Evans
Andrea Shiman
Brian Weissman
Cara Silverman
Daniell Hudson
Danyell Rascoe
David Hardcastle
Eve Singer
Fannie Ip
Karen Hancock
Kristi Sword
Meiyi Yang
Michal Lando
Samuel Guillen
Alessandro Morosani
Sena Huh
Viv Ellis
William Yang
Wyna Liu

This yearly event is our way to show off the work of the talented artists who work here at BKMW and the opening party is our way to celebrate this fantastic community in a fun, festive way. We are pleased to have the work of over 17 BKMW members on view. These pieces range from one-of-a-kind art jewelry, objects, watches, and drawings to smartly designed fine jewelry and multiples.

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Forget Them
Oct
1
to Jan 27

Forget Them

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Forget Them

Work from 33 artists and collectives on view for BKMW’s 4th annual juried exhibition.

Ancient Truth Investigators
Andy Lowrie
Åsa Elmstam
Black Adept
Carina Shoshtary
Danielle Embry
Elisabeth Scheller
Emily Blodgett-Panos
Emily Culver
Emily Grego
Erica Bello
Holland Houdek
Jaesung Lee
Julia Walter
Karen Vanmol
Lauren Kalman
Lissy Selvius
Maggie Willsey
Marion Delarue
Matt Lambert
Maureen Duffy
Melissa Cameron & Jill Hermans
Mi-Sook Hur
Nadine Simone Kuffner
Nicole Polentas
Rhea Vedro
Rob McKirdie
RIMA
Sharon Massey
Sin-Titulo
Sofia Bjorkman
Vivienne Varay
WALKA Studio

Juried by Steven Gordon Holman, Brian Weissman, Erin S. Daily

Talismans, amulets, shrines, and charms that have been created to wear, carry, or look upon. These objects convey a specific power, intend to protect against superstition, or commemorate.

This exhibition is inspired by a quote from the only surviving poem by Lucretius (c. 99 – c. 55 BCE) – On the Nature of Things.

“There are no angels, demons, or ghosts. Immaterial spirits of any kind do not exist….Forget them.”

Yet it seems that despite our best efforts, we can’t. This show examines humankind’s perennial struggle between personal autonomy and spiritual guidance, and how these ideas manifest and inspire the fabrication of physical objects.

All cultures throughout the ages have taken abstract concepts like gods, demons, imps, and spirits and translated them into material items that are often housed in esteemed spaces. Shrines that celebrate, amulets that protect, and totems that commemorate these enduring theologies and phenomenons. Perhaps the most resilient form of piety, the belief that objects imbued with spiritual reverence might protect or reward the owner withstands the test of time, often despite our better judgment.

“There are no angels, demons, or ghosts. Immaterial spirits of any kind do not exist. The creatures with which the Greek and Roman imagination populated the world—Fates, harpies, demons, genii, nymphs, satyrs, dryads, celestial messengers, and the spirits of the dead—are entirely unreal. Forget them.”

– Lucretius

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Dividing Gravity | Alissa Lamarre
Apr
30
to Jun 30

Dividing Gravity | Alissa Lamarre

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Dividing Gravity | Alissa Lamarre

Michigan born and based, Alissa Lamarre is a detail-oriented maker who has shown her work nationally and internationally, with recent exhibitions in Detroit, Boston, New York, and the Netherlands. She received her BFA from Western Michigan University and her MFA from Cranbrook Academy of Art in 2013.

Alissa has been a practicing metalsmith for nine years, primarily focusing on jewelry and small objects. The foundation for Alissa’s artistic interests reside in drawing, illustration, and the exploration of material language, using her native Midwest’s physical and cultural landscape to explore the various manifestations of heritage and navigation.  She currently resides in Detroit, MI dividing her time between her private practice, managing Simone DeSousa Gallery, and teaching at Fritzwillis Jewelry Studio in Franklin, MI.

“My interest is based in the roles of the imagination as we grow older. Daydreaming and other methods of escapism evolve with our lives, as we become increasingly inundated with formalities and expectations.  We develop new mechanisms to simplify and alleviate, in an increasingly fervent attempt to carve away spaces in time to simply be. 

This body of work is made from a position of standing still; a luxury that allows us to be anchored to the ground and yet completely vulnerable to elements, time, and the inherent duality in escapism. It is a position that resists growth, yet all the stories and scenarios harbored in the mind find fertile ground to take hold and spread like wildfires. 

This series of objects vary in form, from adornment to sculptural landscape, running alongside each other as parallel vantage points.  Some predict the future, others dwell in the past, allowing the subtle transference of our stories. Form and surface may transcend for a short while, if not to simply serve as validity for our daydreams.

There is earnest failure in gravity, and an undeniable comfort in falling back to earth.”

– Alissa Lamarre

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Co:Operation Garnish
Feb
5
to Mar 4

Co:Operation Garnish

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Makers 2015

Co:Operation Garnish curated by Brigitte Martin + Rachel Timmins.

A garnish can be anything from an adornment that adds or enhances the body (human or animal) to a functional or nonfunctional object that decorates and spices up a room. This exhibition will ask viewers and participants to examine the idea of a garnish made by two different subsets of makers who have come together to create an embellishment that satisfies both.

“A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current. The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Each side considers itself superior to the other, seemingly not appreciating the clear advantages, benefits, and experiences each faction brings to the table. Quoting from Damian Skinner’s 2013 SNAG keynote lecture in Toronto:

‘We are all family. Sometimes, family members don’t speak with each other, but we still are one big family. Let’s recognize this fact.’

Can our field overcome family division and send a much-needed signal to the metals + jewelry community? We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making. Arriving at this message is the goal of this exhibition.”

– Brigitte Martin and Rachel Timmins

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